When I watched it again just a couple weeks later, I was still really bothered about it. As disturbing as it was then, it's as disturbing today. Yet there's no denying its brilliance.
While it's by no means among my favorite of Kubrick's films "2001: A Space Odyssey," "Dr. Strangelove" and "The Shining," for the record it's the one that can expose your nerves raw and poke at them unlike any other.
To celebrate its four decades of controversy, censorship and cinematic immortality, Warner Home Video has released "Clockwork" on a 40th-anniversary Blu-ray, so it can poke at your nerves in high-def. Like the scene of its protagonist with his eyes clipped open, you can't look away.
Malcolm McDowell gave arguably his finest performance as Alex DeLarge, gang leader of the bowler-wearing, milk-drinking, raping-and-murdering droogs. He was so good at it, it typecast him. If only everyone could delve into this double-disc sets special features, they would be able to see McDowell not to mention the film itself in a new light.
Three terrific at times even spellbinding documentaries are included: Turning Like Clockwork, Still Tickin: The Return of Clockwork Orange and Great Bolshy Yarblockos!: Making A Clockwork Orange. All dig deep into the movies history, from how Anthony Burgess novel made its way into Kubricks hands (only to initially scoff at the idea of an adaptation, put off by the droogs invented vernacular), to why Kubrick removed the final product from circulation in Great Britain, to the impact it enjoys today.
Like a virtual film school, scenes are discussed and dissected by an impressive lineup of informed talents and critics, with some overlap among the trio. Im not sure why the three werent assembled into one long, feature-length piece; its not as if the contents would bore Clockwork enthusiasts. Not by a long shot.
Fans of McDowell in particular will be drawn to two features dedicated to the actor: one in which he discusses his experience and involvement with Clockwork, and the other being O Lucky Malcolm!, a feature-length documentary on his work and life (Mr. McDowell, youve got a lovely daughter), directed by Jan Harlan, Kubricks brother-in-law. With the actor praising Lindsey Anderson, it makes a nice companion piece and a superior one to the recent DVD release of Never Apologize.
Finally, even those who arent Clockwork worshippers, yet kneel at the altar of its helmer may wish to purchase the set simply for its inclusion of Harlans warts-and-all biodoc, Stanley Kubrick: A Life in Pictures. Running at nearly two and a half hours, its a chronological look at his filmography, movie by movie, with his personal life woven through. While I wish it wouldve addressed more of the elongated development of Eyes Wide Shut, Kubricks deflated swan song, its a fascinating look at an extraordinary career. Rod Lott