Oklahoma City Repertory Theatre opens its season with a production of the 1971 musical Godspell that has all the charm of a committee meeting in search of agenda.
The show poses this ontological question: Why did God endow human beings with a mind if were not supposed to use it? The show, by Stephen Schwartz, oddly doesnt answer or consider the issue.
Directed by Jonathan Beck Reed and played on Amanda Fousts sideshow-like set, Godspell features, in an early scene, the cast changing onstage into costumes that bear a 1960s hippyish, thrift-shop chic. Then, none other than the reliable Lane Fields enters, playing Jesus in a T-shirt and boxer shorts. Soon, hes in jeans and a baseball jersey with Copilot on the front (get it?). Costumes are by Andy Wallach.
Fields launches into a litany of theological bromides with the avuncular congeniality of the late Fred Rogers Everyone who humbles himself shall be exalted. Do tell.
Its vacation Bible school on LSD.
Turn the other cheek. If a man asks for your shirt, give him your coat, too. New Testament stories and parables march by like a newsreel.
Before long, the
sweet-voiced Chelsea Clark (playing the part of Nikki) sings Day by
Day evoking memories of Top 40 radio back in the last century.
updated book is unsurprising and uninspired. The usual suspects appear:
Sarah Palin, Donald Trump, Facebook, Twitter, Obamacare, Psy and
numerous others, all unoriginal.
The Prodigal Son scene is pretty amusing. Its done in ten-gallon hats and a hick dialect (puttah rang own his fanger).
one point, Jesus says something about tax gatherers and prostitutes
getting into heaven, but theyre not onstage. Come to think of it, that
might enliven the proceedings.
cast does a fine job. Jamard Richardson plays both John the Baptist and
Judas. In another of its admirable collaborations with collegiate
theaters, CityRep presents Godspell with the Department of
Musical Theatre at The University of Central Oklahoma. Making an
admirable effort, the youthful cast is appropriate for the show, and
they seem to be having a good time.
production does have its moments. The sweet-voiced Caleb Baze gives a
fine account of All Good Gifts, while another cast member signs some
of the lyrics in American Sign Language. Taylor Starr Knights lighting
in the crucifixion scene is a model of the effective use of the Freedes
Its a clever set-up for the final scene, but the mock solemnity will induce eye-rolling among mind users in the audience.