Stuck in a cubicle? Blame George Nelson, who is considered the father of the modern workstation.
Better yet, celebrate George Nelson. Starting Thursday, his work is the subject of a major exhibition at Oklahoma City Museum of Art, running through May 8.
He is one of the most important 20th-century designers, said Jennifer Klos, curator of record. This is as much about American history as it is the history of design or history of technology.
As design director at furniture manufacturer Herman Miller, Nelson crafted pieces that at once reflected and shaped the mid-century modern style of postwar America homes and offices. More than 120 of such objects are on display alongside approximately 50 other items, including four films on the icon, who passed away in 1986.
He wanted people to have pieces that contributed to their home and made their lives easier. George Nelson cared about the domestic interior and how you used it, Klos said. Since he was an architect, he not only understood the structure of a home, but cared more about the theory of how people live, how they use objects, the societal ideas of the period.
said the one-of-a-kind exhibition delves into every aspect of
Nelsons career, from journalism and photography to creating the poster
and main titles for the 1961 Clark Gable/ Marilyn Monroe film The
The focus, however, is furniture.
somewhere between spaceage and Pop Art, his designs took advantage of
materials newly available in the postwar era, creating works that became
literal conversation pieces. Klos said its a testament to his genius
that several remain in production today.
such example is 1956s famous Marshmallow Sofa undeniably colorful,
surprisingly comfy with each of its 18 circles handcrafted.
always want to call it a fun, renegade object with all the shapes he
saw, Klos said. He saw value in creating seating for the home that was
unique, versatile and could be seen from all sides.
that the sofa purposely hides nothing, she said, What you see is what
you get. That honesty is what George Nelson was after.
addition to the exhibitions pieces, several on loan from local Herman
Miller dealer Workplace Resource adorn the museums lobby areas. From
1952s innovative Bubble Lamp to 1946s landmark Platform Bench,
these allow visitors to experience Nelsons work with more than just
very much thought about function, but was always in tune with
aesthetics, Klos said. He believed everybody deserved good design.
top Nelsons Marshmallow Sofa debuted in 1956. bottom From
1952 to 1957, Nelson designed a modular, prefabricated Experimental
House. Its 12-square-foot aluminum cubes could be connected and
configured in endless combinations for a lowcost, easily movable