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Chilean-Danish artist Marco Evaristti is working with condemned Texas inmate Gene Hathorn, 47 (convicted killer of three in 1985), on an anti-capital-punishment exhibit to be staged after Hathorn's execution. The murderer's body would be frozen, then made into flakes that museum visitors could feed to goldfish. Evaristti is most noted for his 2000 exhibit in which he placed live goldfish in several electric blenders and invited museum-goers to turn them on.

An unfortunate burst of wind disrupted an outside art installation at the Paul Klee center in Bern, Switzerland, in August, ripping an inflatable exhibit from its moorings and carrying it away. The exhibit, by American Paul McCarthy, was a sculpture entitled "Complex Shit," and the inflatable item was supposed to be a dog dropping the size of a house. Explained the Klee center's Web site (challengingly), the show features "interweaving, diverse, not to say conflictive emphases and a broad spectrum of items to form a dynamic exchange of parallel and self-eclipsing spatial and temporal zones." (Or, wrote London's Daily Telegraph in broken French, it is "what happens when la merde hits le ventilateur.")

Sculptor Marc Quinn unveiled "Siren" in October at the British Museum, feting the model Kate Moss, who posed for him, though not quite in the position Quinn ultimately created. "Siren" is life-size, in 18k gold (that cost Quinn around $2 million), and treats the gaudiness of the so-called supermodel. As such, Moss is posed seated, holding her legs behind her head. (Some, but not all, news outlets chose to show "Siren" modestly, from the side rather than the front.)

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