Thats only partially due to the Icelandic post-rockers otherworldly approach to music. Shot during a two-night stand in 2008 at Londons historic Alexandra Palace, French-Canadian director Vincent Morisset transferred digital footage to 16mm film, then again, through prisms and found objects, according to the Inní website. Combined with the abstract and always beautiful cinematography, the result is a stark 75 minutes that captures the soul of one of the planets most alien bands.
Ný batterí, the dark centerpiece of Agaetis Byrjun (arguably its best album) opens this film, casting a monochromatic shadow on the rest of it. And in case the beginning didnt feel creepy enough, lead singer Jón Þór Birgisson twists and writhes as he saws at his guitar with a violin bow, but with all the stages darkness, he might be strangling a man, for all the audience can tell.
Theres no Gobbledigook here. The nine songs selected span the bands five discs, but are most often melancholy at their very brightest (the exception being the childish, Inní mér syngur vitleysingur where Birgisson shares the piano bench with Kjartan Sveinsson in one of the films most affecting moments). For the most part, Birgissons groaning guitar hangs over funereal drum marches and murky bass play from Georg Hólm, although his boyish voice cuts through the swaths of gloomy sound, whether hes singing into his microphone or the strings of his instrument.
Inni is interspersed by snippets of unexplained shots of the group winning the Iceland Music Award, riding bicycles, and being asked awkward questions by NPR; the choice provides only a bare-bones backdrop (Id recommend watching Heima if you want more in the way of a conventional documentary), but nones really needed here. Morissets intimate cinematography focuses on the tiniest storytelling details: the fringe on Birgissons tailored jacket, the way Sveinssons head bounces and just how hard Orri Dýrasons cymbals flap when they play Festival, (which you can watch below) for instance. Youre so close to the band that you forget about the actual Alexandra Palace audience, at least until the end when they make the oddest of appearances.
Youll walk away scratching your head in awe.