- Oakes Fegley is Pete in Disney's PETE'S DRAGON, the story of a boy named Pete and his best friend Elliot, who just happens to be a dragon.
Its pretty easy to be jaded about movies these days. Remakes, redos and reimaginings have dominated movie theater marquees for a while now. Its not even that a large portion of them are bad. Its that a lot of them are unnecessary.
Ultimately, beyond just monetary concerns, why should these stories be retold? I found myself asking that question before a frame of Petes Dragon lit up the screen. But once it began, I quickly realized this film not only meets its predecessor but soars past it in many respects.
A remake of Disneys cult favorite 1977 musical, the 2016 update relates the story of Pete (Oakes Fegley), a 5-year-old boy left alone in the labyrinth woods of Americas Pacific Northwest after a tragic accident. Pete quickly bumps into our titular dragon, Elliot (voiced by former Cryptkeeper John Kassir), a 70-foot, puppyish ball of flying fluff. Five years later, we find the pair traversing the forest. All is well until Pete crosses paths with a kindly park ranger (Bryce Dallas Howard), her elderly father (Robert Redford), her kindly lumberjack fiancé (Wes Bentley) and his less kindly brother (Karl Urban), making life complicated all over again.
- Matt Klitscher
- Bryce Dallas Howard is Grace, Wes Bentley is Jack Oakes Fegley is Pete and Oona Laurence is Natalie in Disney's PETE'S DRAGON, the adventure of a boy named Pete and his best friend Elliot who just happens to be a dragon.
Petes Dragon lacks the collective hype of Disneys latest crop of big-budget redos, such as Cinderella, The Jungle Book and next years Beauty and the Beast, but what it lacks in scope it makes up for in unadulterated sincerity. This sincerity is due in no small part to the involvement of director and cowriter David Lowery, best known for tough crime thriller Aint Them Bodies Saints.
Lowery isnt the first filmmaker recruited from the indie circuit and asked to helm a multi-million-dollar blockbuster. However, Petes Dragon is one of a few exceptions in which a major studio took a risk by allowing an auteur to implement a unique vision rather than sinking it with constant retooling for mass appeal. Its definitely a Disney product, but Lowerys version is wonderfully grounded, a unique touch from his previous cinematic outings Im happy to see isnt lost in the transition.
Perhaps the best aspect of this childrens film is its absolute refusal to treat its audience with kid gloves. Elliot growls and purrs but thankfully doesnt talk, leading to one-sided conversations with Pete. This makes the audience, in turn, sit up straight and actually pay attention its one example of many in which the movie ensures children and parents equally engage and enjoy the ride.
However, the film isnt without faults. Urbans character never sinks into full mustache-twirler or a symbol of corporate greed, but his corner of the story is easily the least developed. Hes an antagonist in a story that largely has no need for one. He wants to catch Elliot because of vague reasons, but more importantly, the film needs an exciting climax from which our heroes must escape. While it in no way sinks the film, its the sole aspect that seems engineered in a movie that otherwise feels wholly natural.
Much like the original film, Petes Dragon offers a refreshing alternative to the space-traveling, crime-fighting, world-saving blockbusters currently crowding cinemas. Lowery balances sincerity and spectacle look so effortless.
Print headline: Fresh breath, Disneys remake of childrens classic Petes Dragon soars, leaving other remakes looking up in envy from the ground.